First I have some questions about well, an amazing movie. Clunky start, finish like some old time John Ford picture. Only Baz does close-ups as big as those or does someone else? Did Mandy Walker also photograph Tracey Moffat's Bedevil? Some of the shots look the same, particularly the studio interiors. David Wenham doing his whining act would be good if he hadn't done it before most notably in that movie where he appears as a witness at a Royal Commission. No chemistry between Hugh and Nick. Nick starting to look old but trying to hide it. Was all the stuff about Aborigines being warned that the film refers to dead people and the roller title at beginning and end about the stolen generations in the version the Oz critics saw? Are Aborigines now requiring that a fictional film referring to dead non-existent Aborigines requires a warning? Must ask Bordwell what his shot clock comes up with for average length of shot. 2.7 million feet of film and according to an ad in Inside film never less than six cameras running. Really?
"That was good" said an old lady nearby. "Not them again" said another old dear when we held the script about the The Stolen Generations for a moment. Interesting demographic emerging. Is it people closer to forty than twenty who will go to it. If so it defies all box office activity these days. Was there a scene with a pedophile priest shot or contemplated.
He's never dull but Snowy River made me more tearful, and was probably about as manipulative.